CERTAIN UNALIENABLE RIGHTS

Rodney asked him to watch his pretzel cart while he took a break.

It was another humid night. Larry sat on the wall and rested his weary feet. He looked up at the statue with the Rockefeller building behind it.

A huge white face with white hands covering the eyes. Ain’t that the truth, Larry thought, refusing to see what was right in front of them.

Rodney arrived back, ‘Pretzel?’

‘Sure,’ Larry accepted and took one. ‘Where you from, Rodney?’

‘Queens. You?’

‘Costa Rica.’

‘The country?’

‘Yep’.

‘Huh.’ Rodney and Larry looked up at the artwork. ‘Soda?’

‘Sure.’


rockefeller-center-face-in-the-crowd
Copyright Roger Bultot

Written as part of the Friday Fictioneers challenge hosted by Rochelle Wisoff-Fields (more details HERE). The idea is to write a short story of 100 words based on the photo prompt (above).

To read stories of 100 words based on this week’s prompt, visit HERE.


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64 thoughts on “CERTAIN UNALIENABLE RIGHTS

    1. Thanks Rochelle, I may have been too subtle, but I couldn’t look at the image and not think of the current rhetoric coming from the leader of the free world towards certain people, regardless of political views.

      Liked by 1 person

  1. Nice take. It’s amazing how often people can forget that California used to be part of Mexico, that most people who live in America are descendants of immigrants, often “illegal” immigrants, that humanity’s origins can be traced back to Africa, everybody, that we’re all human and fundamentally the same.

    Liked by 3 people

  2. A nice contemplative story. I like the natural feel of it and the camaraderie between the two characters. There certainly is far too much … “refusing to see what was right in front of them” from those disconnected from real life. Those living in ivory towers.

    Liked by 2 people

  3. What a great story, Iain! On one level, it’s an inconsequential tale of two friends chatting while business is slack. But you give us a title, and a comment on the artwork featured in the prompt, and it immediately becomes a political story, and a beautifully precise one. And I love the subtlety of having Larry be an immigrant – presumably illegal – from Costa Rica – within sight of the statue that is hiding its eyes and not seeing him.

    Liked by 2 people

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